J’aime bien sa voix un peu soufflée mais pleine d’assurance. Sa robe, on dirait un sac-poubelle de camping1 — et pourtant, elle le porte grave bien.
Les mystères s’arrêtent jamais ou quoi ?
J’aime bien sa voix un peu soufflée mais pleine d’assurance. Sa robe, on dirait un sac-poubelle de camping1 — et pourtant, elle le porte grave bien.
Les mystères s’arrêtent jamais ou quoi ?
Kudos to the director and DoP on that video. Great idea gorgeously and movingly executed. Perfect.
I wish it had more actual “behind the scenes,” but Sophie Thatcher has a brain in her head so she’s worth watching in interviews. Incidentally, Companion is my favorite movie of the past couple of years.
One of the outfits Sophie is wearing isn’t in the film so that must’ve been from a deleted bit. And she does such a great job with the German scene.
Tire-to-tire contact has an insane amount of traction. It only takes a bit of that for cars to flip, roll over, climb another one, or do something else that seems at first glance improbable. I’ve seen a car flip from tire-on-tire contact at 5mph.
Here’s one example of low-speed tire-to-tire contact causing a rollover:
The language is Slovak — that might be the only song I have in that language. And it’s a good one.
Whoever was the DoP on this vid knew a thing or two about a thing or two. Beautiful.
She does a great job of learning a song in 40 minutes. And what a fun personality!
I’m glad to see that the singer is just as good and as weird live as she is in their music vids. Great performance and great outfit.
Another guitarist with mad skills. And I’m not usually a fan of gold, but that’s a beautiful Ibanez she’s playing.
I’ve embedded this before (on the old iteration of this blog). I’ll probably do so again. And that’s because it might be the best live performance of all time.
Also, it’s so beautifully and empathetically filmed. What a masterpiece in every way.
This is not to take anything away from Sina. She’s great. An amazing drummer. But there’s never been a pure rock drummer like John Bonham. Perhaps Karen Carpenter. And…that’s about it.
That’s a great cover. And there’s nothing wrong with this, but she’s not Bonham. She’s a little too on top of the rhythm. Bonham dances with the rhythm, he plays with it and brings it where he needs it to be before you know it needs to go there. He’s behind the next note when that’s what makes sense and emphasizes or drags out a few phrases to make the music better. And, mostly, Sina doesn’t do any of that. Because what Bonham does can’t be imitated and probably cannot be taught.
Sina’s cover is technically perfect. But it’s also a bit shallow. It just doesn’t have the same soul.
Sina is better than almost any drummer who has ever lived. But when you’re playing against Bonham that simply does not matter.
Now compare Sina’s version with the original.
That hurried little fills in Kashmir are so great. How you learn to do something like that I cannot even begin to imagine.
Impressive. She really captures the feel of the song. My second-favorite AIC song; my favorite is “Rooster.”
God she’s good. She really just has the touch. I don’t think I’ve seen her play that white Fender Strat before. Beautiful guitar with a bright but still melancholy sound.
I like that she’s not a show-off; Grace cares about the music and what would make a good sound, not merely playing the most difficult possible thing. And just think: she’s only 18. She is only going to get better.
(Also, I love her zip cord coat.)
That’s amazing. That she preserves the harmony and the spirit of the piece while playing it on guitar is so impressive (it was written for piano).
They make it feel like the 90s again. Horsegirl is like the best of Stereolab and thatdog combined.